Minggu, 30 November 2008

Jakarta Domestic Airport [bachelor project semester 7, 2002]


To anticipate the complex and contrast problems, the megapolitan city as Jakarta needs more imaginative innovation and approach.



The airflow opposing the flow direction of the plane will form a turbulence flow that will make the plane flies. it is the analysis result of the airflow form that will also become the reference of the building mass form. Because it is in accordance with the function such as the airflow supporting the plan to fly, the airport also functions to support its user activity to move using air transportation.











Work Description
Title : Halim Perdana Kusuma Jakarta Domestic Airport
Location : Halim Perdana Kusuma, Jakarta, Indonesia
Status : Bachelor Project Semester 7
School : Department of Architecture, University of Indonesia, Depok, Indonesia
Year : 2002
Achievement:
* Exhibited for Architecture Exhibition on Open House of Arcitecture UI 2004, at Taman Ismail Marzuki Art Centre, Jakarta

Pentagon Memorial [competition project, 2002]


.....every bit of mortal go the same place ... all happen as of the dust... and to dust all return.....

Contemplation is the whole matter of The Pentagon Memorial. As been said in the term of reference, this memorial would be a solace, healing and peaceful place for visitors, especially family members, to think over the meaning of the tragedy. To help the family members healing their wound of loosing people their loved and to erase the hatred and anger inside their heart, we would like to ask them, including visitors, to contemplate the meaning of let go.

…. and nothing lasts forever everything in the universe will die and there is nothing essentially exist everything can be divided into pieces and pieces into other pieces. (Zen principles)



Nothing in this world lasts forever; the only thing that stays is change. In order to understand the word let go we quoted one phrase, which universally understood for people who has religion and believe. DUST-TO-DUST is a very familiar phrase, which often said when someone dies. These words will remind us that every human created from soil and when he/she dies, will become soil again.

This phrase is the concept of our design. This concept is present to make the family members realize that eventually very person will die on unexpected time, whether today, tomorrow, weeks or some years to come. Maybe the day when the tragedy happened was 'the time’ for their loved ones. Therefore, they can open their mind, forget and loose the sorrow or anger, and let go their family and move on with their lives.



THE FORM
To transform the concept into a physical form, we use some humanistic and natural design approaches. We would like to take the visitors to contemplate the tragedy in a solace and peaceful place. Therefore, we translated the DUST TO DUST into quiet place, which speaks’ not much. This place should be a ‘silent magnet’ on a crowd environment.

To create such a ‘silent magnet’, we build a plaza, which has linear shape, parallel to the path of the crashed plane and lies on the site from southwest to northeast. Sense of silence attained by using lesser materials, object and colours inside the plaza. It is designed to bring in a contradictory condition between the memorial and the environment, which fill with so many objects, materials and colours.

Sand and stones, which spread out along the plaza are the objects that use as the memorial. The sand, which spread out like a carpet, represents the dust, and the stones, in different shapes and dimension as the object represent the human or things.

In the memorial visitors are expected to contemplate and having anxiety of mind with the objects as they reach their silent, therefore they can understand what is the meaning of the tragedy for them. The stones and the sand reflected that even a big solid and heavy stone would become sand someday, and become nothing. This will show that there is nothing in this world lasts forever. Therefore, visitors, especially the family of the victims can effortlessly let go their love ones without anger or hatred.

Inside the memorial, visitors are asked to contemplate the meaning of the tragedy, instead of memorizing the terrible tragedy. Therefore, alongside the sand and stones we designed seats, which also have function as border of the sand. In the role of natural visual barrier, those seats are set to distract visitors’ view. Because when visitors sit, they will have the sand and stones as their view, instead of The Pentagon. Therefore, they would not commit to memory of the tragedy.

Having approximately 11 meters in distance (taken from the day when the tragedy happened (11.0901 metres)) between them, the seats designed to help the visitors to achieve their silent and contemplation. The distant is set to make an enormous scale between the vast plaza and human, therefore, visitors will feel small. Seats are arranged with 9 metres length each, and 1.8 metres void between them. The voids are accessible for handicappers to spend equal experience as well as normal people.

Beside those seats, there are pedestrians, which are wide enough for handicappers or normal people to walk. There are borders between seats and the pedestrian, so that no one will feel uncomfortable while taking pleasure in the silence of this memorial.





Work Description
Title : Pentagon Memorial
Location : Pentagon, USA
Status : International Architecture Design Competition
Organizer : U.S. Army Corps of Engineers, Pentagon, Washington D.C.
Year : 2002
Achievement:
* Entry for the competition
* Exhibited for Architecture Exhibition on Open House of Architecture UI 2002 “ART-Chitecture”, at UI Depok, 2002

Innovative House using Light Steel [competition project, 2002]


a building concept that easily able to appropriate its shape with the area shape



flexibility of space arrangement and use: sliding door with rail that set follow the building structure could add the flexibility of space need as an expansion of space from inside to outside.



the combination of rigid steel frame with creeping plant has a purpose as a buffer and building spirit as a combination between nature and artificial material



using galvanum steel as a roof cover able to form hyperbolic roof structure. with innovative shape of the steel able to create building that have high aesthetic value






Work Description
Title : Innovative House using Light Steel
Team : Erick Budhi Yulianto, Sahrika Kosasih (RIP), Belmeier Raymond, Sigit Kusumawijaya
Location : Anywhere
Status : National Architecture Design Competition
Year : 2002
Achievement:
* Best 11 nominee

chi-Q-nie Bibliotheque [bachelor project semester 6, 2002]


This library center represents a response from Indonesia’s latest condition in the last few years. At the present we are in the grey point, a waiting point, the in-between condition (condition between disorder and order) or that is called turbulence.



The journey to the third Millennium for the Indonesian people had turn into a tragical and antithesis journey. The future optimism had become a pessimism. The joy, captivation and greed euphoria had turn into a hysterical panic, violence and brutality. The futuristic dream had turn into a multi-dimensional crisis ghosts (the economy, social, moral and spiritual crisis).


As if there were a invisible horrifying power that we have been living in for years, a power that had spread the seeds of violence, brutality, million of fears, desperation, terrors, intimidation, threads, million of hysteria, and madness as a way to find and defend its authority and had turn into a simulacrum machine, that reproduce power by spreading fakeness and falseness.



But then, there was a collective effort to demolish the structures and parasites of the economic, politic, law, and culture that was feudalistic, monopolistic, collusive, nepotic, repressive, centralistic and exclusive; that altogether was based by one of the thinking model, or an intellectual strategy that is later called DECONSTRUCTION.






Work Description
Title : chi-Q-nie Bibliotheque
Location : Cikini, Jakarta, Indonesia
Status : Bachelor Project Semester 6
School : Department of Architecture, University of Indonesia, Depok, Indonesia
Year : 2002
Achievement:
* Winner of Appreciation or equivalent to 2nd prize winner of ICI Paints Color Awards 2002 for Commercial/Institution/Worship Building Category, Exterior Building/Planning Sketch Class, Professional Participant Group held by ICI Paints Indonesia, Jakarta
* Exhibited for Architecture Exhibition on Open House of Architecture UI 2002 “ART-Chitecture”, at UI Depok, 2002
* Exhibited and Presented on 3 Biggest Universities in Indonesia: Architecture Join Exhibition 2003, at UI Depok

Sabtu, 29 November 2008

Jakarta Information Center [competition project, 2001]


display means to exhibit or inform, open or spread the information as a concept of building mass establishment. from a box we can make a bigger one by spreading and pull the box sides outside



the media of information about Jakarta, which is also a recreation facility for all people taking the place in the city development and located in the northern coast of jakarta





Work Description
Title : Jakarta Information Center
Location : Northern Coast of Jakarta, Indonesia
Status : National Architecture Design Competition
Organizer : Indonesia Architect Association, Ikatan Arsitek Indonesia (IAI)
Year : 2001
Achievement:
* Honorable Mention Award
* Exhibited for Architecture Exhibition on Open House of Architecture UI 2002 “ART-Chitecture”, at UI Depok, 2002

Museum & Gallery for University of Indonesia [bachelor project semester 6, 2002]


"to dedicate"
to devote, open to public use, to show to the public use



a place to accommodate, introduce and show or exhibit the various works, creations as well as an innovation produced by the community of the college scholars, both students, lecturers or others as the product of their dedication to the nation for 52 years until present





Work Description
Title : Museum & Gallery for University of Indonesia
Location : University of Indonesia, Depok, Indonesia
Status : Bachelor Project Semester 6
School : Department of Architecture, University of Indonesia, Depok, Indonesia
Year : 2002
Achievement:
* Exhibited for Architecture Exhibition on Open House of Architecture UI 2002 “ART-Chitecture”, at UI Depok, 2002

Jumat, 28 November 2008

Jakarta Culture Center [bachelor project semester 5, 2001]


"gentle & strong"
A concept to integrate the nation consisting of various tribes and cultures.



Realized in organic exposed structure similar to motive of Indonesian traditional tribes ornaments. It is symbolized by the gentle but strong structure form.




Work Description
Title : Jakarta Culture Center
Location : National Monument Area (Monas), Jakarta, Indonesia
Status : Bachelor Project Semester 5
School : Department of Architecture, University of Indonesia, Depok, Indonesia
Year : 2001
Achievement :
* Exhibited on Indonesian Architecture Students Science Meeting (TKI-MAI) XVIII, at Bali, 2001
* Exhibited and Presented on 3 Biggest Universities in Indonesia: Architecture Join Exhibition 2002, at UI Depok